Paradisi Gloria, by Orchestre du Palais royal, Jean-Philippe Sarcos

Paradisi Gloria

by Orchestre du Palais royal, Jean-Philippe Sarcos

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1.	Domenico Scarlatti, Iste Confessor 03:28	buy track
2.	Bonaventura Rubino, Lauda Jerusalem 07:11	buy track
3.	Antonino Lotti, Credo: I. Credo 03:43	buy track
4.	Antonino Lotti, Credo: II. Crucifixus à 8 03:12	buy track
5.	Antonino Lotti, Credo: III. Et resurrexis 02:40	buy track
6.	Antonino Lotti, Credo: IV. Et unam sanctam catholicam 00:46	buy track
7.	Antonino Lotti, Credo: V. Et vitam venturi sæculi 01:19	buy track
8.	Domenico Scarlatti, Stabat Mater: I. Stabat Mater dolorosa 02:33	buy track
9.	Domenico Scarlatti, Stabat Mater: II. Cujus animam gementem 03:06	buy track
10.	Domenico Scarlatti, Stabat Mater: III. Quis non posset 02:21	buy track
11.	Domenico Scarlatti, Stabat Mater: IV. Eja mater, fons amoris 01:42	buy track
12.	Domenico Scarlatti, Stabat Mater: V. Sancta mater, istud agas 02:22	buy track
13.	Domenico Scarlatti, Stabat Mater: VI Fac me vere tecum flere 00:52	buy track
14.	Domenico Scarlatti, Stabat Mater: VII. Juxta crucem 01:45	buy track
15.	Domenico Scarlatti, Stabat Mater: VIII. Inflammatus 02:57	buy track
16.	Domenico Scarlatti, Stabat Mater: IX. Fac ut animæ 02:10	buy track
17.	Domenico Scarlatti, Stabat Mater: X. Amen 01:26	buy track
18.	Antonio Vivaldi, Laetatus sum, RV 607 02:40	buy track

about

[EN] Baroque Italy still conceals many works that are too rarely performed. Here, ensemble Le Palais royal brings together Lotti's Credo, Rubino's Lauda Jerusalem, Vivaldi's Laetatus sum and Scarlatti's splendid Stabat Mater. Brilliant, virtuosic and richly ornamented, these pieces were composed for festivities and celebrations, and reflect the effervescence and opulence of the Italian cities of the seventeenth and eighteenth centuries.
Far from the smooth, cold marble, the ensemble's performance on period instruments reveals all the asperities, reliefs and volumes of a language and music that it sculpts like a colourful and sensual material.

[FR] Fantasmée et rêvée, l’Italie baroque recèle encore de nombreuses œuvres trop rarement données. Le Palais royal réunit ici le Credo de Lotti, le Lauda Jerusalem, de Rubino, ainsi qu’un Laetatus sum de Vivaldi, et le splendide Stabat Mater de Scarlatti. Brillantes, virtuoses, richement ornées : composées pour les réjouissances et les fêtes, ces pièces sont à la hauteur de l’effervescence et de l’opulence des cités italiennes des XVIIe et XVIIIe siècles.
Loin des marbres lisses et froids, l’interprétation de l’ensemble sur instruments d’époque retrouve ici toutes les aspérités, les reliefs et les volumes d’une langue et d’une musique qu’il sculpte comme une matière vivante, colorée et sensuelle.

credits

released March 22, 2024

Orchestre du Palais royal
Jean-Philippe Sarcos: director

Ref: AP344

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Aparte Music Paris, France

www.apartemusic.com

French classical music label, founded in 2009 by producer and sound engineer Nicolas Bartholomée, director of recording studio Little Tribeca.